For the fourth year in a row, John Wihbey, the former assistant director of Journalist’s Resource, has polled a range of scholars, digital gurus and journalists to compile a very un-scientific “best of” list for research in the digital news/social media domain for 2015. There’s always an abundance of interesting scholarship, but the list tries to provide a sample of the broad range of topics and issues. The first item below cheats a bit — he’s recommending one whole issue of a journal. Happy geeking out! (And make sure to check out the year-end roundups John did in 2014 and 2013.)
This article was first published at Nieman Lab.
“Special Issue: Journalism in an Era of Big Data”: Edited by Seth C. Lewis, published in Digital Journalism.
This special issue contains a wealth of great papers by a variety of contributors (including a variety of Nieman Lab contributors such as Lewis, Mark Coddington, C.W. Anderson, and Nick Diakopoulos.) Topics stretch from automated journalism to algorithms, from epistemology to economics. “Whether dubbed ‘big’ or otherwise,” Lewis writes in the introductory essay, “this moment is one in which data — its collection, analysis, and representation, as well as associated data-driven techniques of computation and quantification — bears particular resonance for understanding the intersection of media, technology, and society.”
“Mobile Messaging and Social Media 2015”: From the Pew Research Center. By Maeve Duggan.
Messaging, or real-time communications with contacts, is eating the world and breaking everything. Broadly speaking, this includes everything from WeChat, WhatsApp, and Facebook Messenger to Snapchat and Wickr, and in recent years, messaging has grown more quickly than social networks. Pew puts out a slew of important survey-based reports, but this one — their first to really drill down on messaging — may prove to herald the next era in digital communications. The numbers and trends are well worth noting: “Among smartphone owners ages 18 to 29, 49 percent use messaging apps. However, these apps are relatively popular with older smartphone owners as well: 37 percent of smartphone owners age 30 to 49 and 24 percent of those ages 50 and older use mobile messaging apps.”
“The Traffic Factories: Metrics at Chartbeat, Gawker Media, and The New York Times”: From the Tow Center for Digital Journalism, Columbia Journalism School. By Caitlin Petre.
A terrific look at how metrics drive work culture. The report unpacks the perils, complexities, and realities associated with making decisions based on audience data. Petre notes that it is “not uncommon for journalists to become fixated on metrics that rank them or their stories.” But the analysis attempts to step away from the “dire (or bullish) predictions about the impact of metrics on journalism.” Her recommendations include: “Newsrooms should create opportunities for reflective, deliberate thinking about analytics that is removed from daily production pressures”; “When newsroom managers are selecting from an array of analytics services, they should consider not only the tools available, but also which company’s values and strategic objectives best align with their own”; and “Newsrooms, analytics companies, funders, and media researchers should consider which of journalism’s most compelling and indispensable traits may stubbornly resist the process of commensuration that metrics impose on news.”
“Homepage Layout”: From the Engaging News Project, University of Texas at Austin. By Natalie Jomini Stroud, Alex Curry, Arielle Cardona, and Cynthia Peacock.
A nice piece of targeted empirical research with implications for news website UI and UX design, the study showed how site traffic could increase massively based on the aesthetic/functional qualities of the site — 90 percent in some cases. The study compared a contemporary “cleaner, photo-heavy scheme” versus a “more classic print-style layout.” The researchers also found that contemporary design could increase audience recall of the news content: “Layout matters, and it is consequential in terms of pageviews and what people recall from the news…Broadly, these results support news organizations experimenting with changes to their homepage, and considering a move from a more classic to a more contemporary design.” For more, see the Lab’s more detailed review.
“Stickier News: What Newspapers Don’t Know about Web Traffic Has Hurt Them Badly — But There Is a Better Way”: From the Shorenstein Center on Media, Politics and Public Policy, Harvard Kennedy School. By Matthew Hindman, George Washington University.
The paper is meant as both a reality check for local news organizations and as a how-to for dealing with certain realities, namely: “The typical local newspaper gets about five minutes per capita per month in Web user attention, less than a local TV station earns in a single hour. Local newspaper traffic is just a rounding error on the larger Web.” Hindman notes that the “bottom line is that any successful strategy for digital local news requires sites to grow their audience … Audience growth is just as essential for plans that rely on selling subscriptions.” His recommendations including focusing on load times and personalized recommendation engines, as well as practicing A/B testing and optimizing content for social media. “The plight of newspapers is far worse than many journalists and editors realize,” Hindman concludes. Overall, his prescription is to focus on how to build consistent, repeat visitors, the idea of compounding “stickiness”: “Newspapers…need to rethink what they are optimizing for: not raw traffic, but audience growth. Small gains in stickiness can compound enormously over time.”
“Beyond Memorability: Visualization Recognition and Recall”: From Harvard, MIT and the University of Michigan, published in IEEE Transactions on Visualization and Computer Graphics. By Michelle A. Borkin, Zoya Bylinskii, Nam Wook Kim, Constance May Bainbridge, Chelsea S. Yeh, Daniel Borkin, Hanspeter Pfister, and Aude Oliva.
The study provides some useful insights for news data visualization, and it serves as a good reminder that audiences need some help when interpreting visual information. The researchers conduct lab experiments with a variety of real-world graphics, including many from news organizations, and find that titles and text really help viewers interpret visuals and then recall information afterwards. Like them or not, pictograms — when done well — also facilitate recognition and recall. The keys to good data viz, according to the study, are: “having a good and clear presentation, making effective use of text and annotations, drawing a viewer’s attention to the important details, providing effective visual hooks for recall, and guiding the viewer through a visualization using effective composition and visual narrative.”
“Exposure to Ideologically Diverse News and Opinion on Facebook”: From Facebook and the University of Michigan, published in Science. By Eytan Bakshy, Solomon Messing, and Lada Adamic.
This paper speaks to the ongoing debate over the power of algorithms and audience “filter bubbles.” It might seem strange for a company to need to study its own algorithm, but it’s a dynamic, complex software system. The researchers find that, although the algorithm does tailor news based on liberal or conservative leanings (and prior behavioral patterns), the filtering problem is minimal: “After [algorithmic] ranking, there is on average slightly less cross-cutting content: conservatives see approximately 5 percent less cross-cutting content compared to what friends share, while liberals see about 8 percent less ideologically diverse content.” The study took some heat for its methodological design and approach. See here and here for critiques. But overall, it stood as an important contribution that set the agenda for more discussion of algorithms and impacts.
“Tweeting From Left to Right: Is Online Political Communication More Than an Echo Chamber?”: From New York University, published in Psychological Science. By Pablo Barberá, John T. Jost, Jonathan Nagler, Joshua A. Tucker, and Richard Bonneau.
This big data study joins a conversation about ideological segregation on Twitter that has taken place for several years now (see this column last year.) The sample size is enormous: almost 4 million Twitter users and 150 million tweets. The researchers that ideological segregation — the proverbial “birds of a feather” phenomenon — is much more visible with explicitly political issues, and that on other national events, left and right often speak with one another. Two important other findings: “With respect to both political and nonpolitical issues, liberals were more likely than conservatives to engage in cross-ideological dissemination,” and “previous work may have overestimated the degree of ideological segregation in social-media usage.”
“Interacting Is Believing: Interactivity, Social Cue, and Perceptions of Journalistic Credibility on Twitter”: From Hope College and Lehigh University, published in Journalism & Mass Communication Quarterly. By Mi Rosie Jahng and Jeremy Littau.
This study, which is based on an experiment involving about 150 students, suggests that journalists who engage more with audiences on Twitter increase their perceived credibility. Obviously, the results are limited by the experiment’s sample demographic. But it’s intriguing to contemplate how the very act of replying to the audience itself may bolster the standing of journalists. However, another 2015 study of journalist interactivity on Facebook — by Jayeon Lee of Lehigh, published in the Journal of Computer-Mediated Communication — produced somewhat contradictory findings and finds it can be a “double-edged sword”: In terms of professional dimensions, audience engagement diminished perceptions of journalists and associated news products.
“Changing deliberative norms on news organizations’ Facebook sites”: From the University of Texas at Austin, Purdue University, and the University of Wyoming, published in the Journal of Computer-Mediated Communication. By Natalie Jomini Stroud, Joshua M. Scacco, Ashley Muddiman, and Alexander L. Curry.
This study looks at how journalists might promote better, richer, and more reasoned civic discourse about news by playing a stronger role in comment threads. The strength of the research is that it leverages a real-world field study and randomization to pinpoint effects. The researchers found that “reporter involvement was related to lower levels of incivility and greater use of evidence from commenters.” Overall, the study “provides evidence that an individual can affect norms in online comment spaces. And to a goal of promoting deliberative discussion online, this study offers support for a practice that can be enacted — engaging with commenters.” The research is part of the Engaging News Project’s important ongoing investigation of comment threads and the effects of journalistic engagement on civics and democracy.
Keywords: technology, digital literacy, Pew Research Center
Last updated: December 14, 2015
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The arts, science and technology are experiencing a period of profound change. Normally we use the terms digital everywhere, because it is embodied in our culture. We could talk about third culture as John Brockmann writes. The third... more
The arts, science and technology are experiencing a period of profound change. Normally we use the terms digital everywhere, because it is embodied in our culture. We could talk about third culture as John Brockmann writes. The third culture, according to him, consists of
those scientists and other thinkers in the empirical world who, through their work and expository writing, are taking the place of the traditional intellectual in rendering visible the deeper meanings of our lives, redefining who and what we are. We are talking about whole new
forms of subjectivity. We are seriously talking about mutated worlds that have never existed on this planet before. And it is not just idea. It is new flesh. Human beings are always already immersed in the world, in producing what it means to be human in relationships with each
other and with objects. In the 21st century, some of the most dynamic works of art are being produced not in the studio but in the laboratory, where artists probe cultural, philosophical and social questions connected with cutting-edge scientific and technological research.
Human life and culture will expand also beyond biological limits, through the Third Life, the life that humans are giving to the entities built by their culture. There are many emerging or growing fields: autonomous agents and artificial life forms, autonomous objects, robotics and biorobotics, nano entities, hybrids (organic/ inorganic), modified or expanded organisms, synthetic life. This growth and multiplicity will take place in a realm where connecting, collecting, communicating and sharing information can be easily and automatically achieved thanks
to the computer technologies and the Net. The artists during the third millennium have begun to tackle the concepts, the tools, and the contexts of scientific and technological research: the results of their works are provocative and intriguing. These artists, who have been working combining both scientific and technological approach, outlined new perspectives in the art fields, in order to explain the complexity of the world following a trans-disciplinary method.
Metrobodily is a brain expression for describing this spherical mutation, where the ubiquitous bodies are interconnected for a living, hybrid and hyperconnected planet. Bodies everywhere, absent and present at the same time. We have many bodies, physical, virtual, extended, multisensorial.
What can a body do? What is New? What is Innovation? What it the relationship between art and science?
Le arti, la scienza e la tecnologia stanno vivendo un periodo di profondo cambiamento. Normalmente noi utilizziamo il termine digitale ovunque, perché esso è incorporato nella nostra cultura. Potremmo parlare di
terza cultura come scrive John Brockmann. La terza cultura, è costituita da scienziati e pensatori del mondo empirico che, attraverso il loro lavoro e la loro esposizione stanno prendendo il posto dell' intellettuale tradizionale nel rendere visibile il più profondo significato della nostra vita, ridefinendo chi e cosa siamo. Stiamo parlando di nuove
forme di soggettività. Stiamo parlando di nuovi mondi che non sono mai esistiti su questo pianeta prima. E non è solo un' idea. È la nuova carne. Gli esseri umani sono sempre immersi nel mondo, nel produrre ciò che significa essere umano e nelle relazioni con l'altro e gli oggetti.
Nel XXI secolo, alcune opere d' arte sono state prodotte non dentro ad uno studio, bensì in un laboratorio, dove gli artisti hanno indagato culturalmente, filosoficamente le questioni sociali legate alla ricerca scientifica e tecnologica d' avanguardia.
La vita e la cultura umana si espanderanno anche oltre i limiti biologici, attraverso la Terza Vita, la vita che gli esseri relegano alle entità costruite dalla loro cultura. Ci sono campi emergenti come la robotica e la biorobotica, agenti e oggetti autonomi, forme di vita artificiale, nano entità ibride (organiche/ inorganiche), organismi modificati o espansi e
vite sintetiche. Questa crescita e molteplicità avrà luogo in un ambito dove connettersi. La comunicazione e la condivisione delle informazioni possono essere realizzate in modo semplice e automatico grazie a
alle tecnologie informatiche e alla rete. Gli artisti del terzo millennio devono affrontare i concetti, gli strumenti e i contesti della ricerca scientifica e tecnologica. I risultati delle loro opere sono provocatori e intriganti. Gli artisti, perseguendo un metodo transdisciplinare, lavorano coniugando diversi approcci scientifici e tecnologici, delineando così nuove prospettive nell'arte per "risolvere" la complessità del mondo, .
Metrocorporeità è una mia espressione cerebrale per descrivere questa mutazione sferica, dove i corpi sono interconnessi in un pianeta ibrido . Corpi ovunque: assenti e presenti contemporaneamente. Abbiamo molti corpi, fisici, virtuali, estesi, multisensoriali. Cosa può fare un corpo? Cosa è nuovo? Che cos' è l' innovazione? Che cosa è il rapporto
tra arte e scienza?